Art Admirers Get to Know Melissa Shook: Inside and Out
An art exhibition showcasing the works of late Professor Emerita Melissa Shook brought together art appreciators from all over the Boston area.
鈥 [S]he instilled in me a lifetime passion for and commitment to the world of images 鈥
Presented in a two-part retrospective exhibition at the University Hall Gallery and in the Walter Grossman Memorial Gallery, Melissa Shook: Inside and Out, ran from Sept. 6 until Oct. 29, with an opening reception on Sept. 17. In that time, more than 500 people visited the exhibition, many of whom were former students or colleagues of the late professor.
Gallery Director Sam Toabe, who co-curated the collection alongside Art History Senior Lecturer Carol G.J. Scollans 鈥84, said this number is a testament to the respect and admiration Shook garnered throughout her esteemed career. Shook joined UMass Boston in 1979, teaching photography in the Art & Art History Department and leaving an indelible mark on the department's pedagogy, as well as generations of students.
鈥淪he dedicated over 30 years of her life to teaching at UMass Boston. Because of her commitment, both to the department and the university, it's important to honor her and to see the effect that she had on our department,鈥 said Toabe. 鈥淲e have really beautiful facilities now, and a lot of that is due to her legacy and her impacting the department. She was so important to generations of faculty and students.鈥

Shook, who passed away in 2020, was best known for her self-portraits and documentary style photography representing and humanizing marginalized communities. Throughout her career, her practice expanded to include writing, book making, drawing, sculpture, video art, and social practice art through direct action and mutual aid projects.
Director of the Museum of Fine Arts Matthew Teitelbaum and MFA Photography Curator Kristen Gresh attended the exhibit on October 28. Teitelbaum said MFA鈥檚 mission of expanding its space is to embrace diverse perspectives, challenge conventional narratives, and celebrate both difference and connection.
鈥淧ublic collections and related exhibitions should deepen our understanding of legacy and history, respond to its misrepresentation, and chart a path towards a creative future. Art anticipates what is to come, and those of us working in public spaces have an obligation to create dialogue and conversation with works of art that serve to empower us, and provide pleasure, always opening possibility. One way to do this is discover the hidden pathways, the artists who have been placed to the side,鈥 said Teitelbaum.
He added that MFA鈥檚 obligation is to find artists with spirit, ideas, voice and commitment to sharing a world that encourages creativity and unlocks our imagination.
鈥淢elissa Shook is such artist: personal and poetic in her observations of relationships and identity within community, her work has fallen from view. And yet, hers is an authentic expression of lived values. For me, that is what art is all about.鈥
Melissa Shook: Inside and Out was displayed in two parts, with Shook鈥檚 more personal work showcased in the University Hall Gallery. Across campus in the Grossman Gallery, art admirers were able to view a large selection of Shook鈥檚 series The Streets are for Nobody. Also on display were archival materials that were reproduced from the Healy Library's collection of Shook鈥檚 papers, along with handmade books, sculptural objects, and a collection of her film and pinhole cameras.
Shook鈥檚 daughter, Kristina, said seeing her mother鈥檚 work on display was a 鈥減rofound and deeply emotional experience.鈥
鈥淭he thoughtful curation highlighted my mother鈥檚 wide range of photography, expansive art, and personal ephemera. I will always remember the University Hall Gallery and the Grossmann Gallery exhibition with fondness and heartfelt appreciation for those who made it such a success,鈥 said Kristina, adding that her mother formed long-lasting friendships with both students and colleagues.鈥
Shook鈥檚 exhibit was launched contemporaneously with the establishment of The Melissa Shook Documentary Photography Award, which was made possible with a generous gift from alumna Nancy Lutz 鈥82 and her husband Wendell. This fund will provide an annual prize to one or more students who have demonstrated exceptional skill or promise in photography, with a preference for documentary photography skills.
While pursuing her bachelor鈥檚 in art history from UMass Boston, Lutz enrolled in a photography course that was taught by Melissa Shook.
鈥淚n just a few weeks, she instilled in me a lifetime passion for and commitment to the world of images. Even more importantly, we became dear friends. To celebrate Melissa's impact on me and so many others through her generous teaching and unparalleled photographic work, I established this award,鈥 said Lutz.
The award will be presented this year for the first time to Chloe Tomasetta 鈥21, whose photographic work in 2021 documented busy street scenes in Boston's historic Hay Market during the height of the pandemic.
To contribute to the Melissa Shook Documentary Photography Award, please visit